TRANSMISSION

TRANSMISSION

šŸ„¾ OBSERVATION

THE INITIAL SPARK. A FEELING, A QUESTION, A TENSION IN THE WORLD. NOTHING MADE—JUST NOTICED.

NOTICING THE SIGNAL BEFORE FORMING THE IDEA.

Ā 

šŸ„·Ā HYPOTHESIS

A SPECULATIVE IDEA TAKES SHAPE. EARLY NOTES OR CRUDE FORMS EMERGE TO TEST A THEORY.

WHAT IF?

Ā 

šŸ…ƒĀ TRIAL

THE FIRST TANGIBLE VERSION. IT’S TESTABLE, MAYBE SHARABLE, BUT STILL ROUGH.

FIRST ATTEMPT AT FORM.

šŸ„µĀ  FRAME Ā  Ā  Ā  Ā  Ā 

Ā POSITIONING THE WORK IN CONTEXT, READY FOR ARCHIVAL

IN CONTEXT

šŸ„øĀ ITERATION

A RETURN. THE IDEA IS RE-APPROACHED WITH NEW UNDERSTANDING OR CONTEXT.

SAME ROOTS, DIFFERENT BLOOM.

Ā 

šŸ„“ EVOLUTION

REFINEMENT. THE WORK MATURES INTO SOMETHING MODULAR, ADAPTABLE, AND INTEGRATED.

BUILT TO FLEX AND LAST.

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šŸ…Ā RESONANCE

THE ARTEFACT TRANSCENDS ITSELF. FULLY REALIZED, SELF-SUSTAINING, AND REFLECTIVE OF CS PRINCIPLES.

IT SPEAKS BACK.