
TRANSMISSION
š¾ OBSERVATION
THE INITIAL SPARK. A FEELING, A QUESTION, A TENSION IN THE WORLD. NOTHING MADEāJUST NOTICED.
NOTICING THE SIGNAL BEFORE FORMING THE IDEA.
Ā
š·Ā HYPOTHESIS
A SPECULATIVE IDEA TAKES SHAPE. EARLY NOTES OR CRUDE FORMS EMERGE TO TEST A THEORY.
WHAT IF?
Ā
š Ā TRIAL
THE FIRST TANGIBLE VERSION. ITāS TESTABLE, MAYBE SHARABLE, BUT STILL ROUGH.
FIRST ATTEMPT AT FORM.
šµĀ FRAME Ā Ā Ā Ā Ā
Ā POSITIONING THE WORK IN CONTEXT, READY FOR ARCHIVAL
IN CONTEXT
šøĀ ITERATION
A RETURN. THE IDEA IS RE-APPROACHED WITH NEW UNDERSTANDING OR CONTEXT.
SAME ROOTS, DIFFERENT BLOOM.
Ā
š“ EVOLUTION
REFINEMENT. THE WORK MATURES INTO SOMETHING MODULAR, ADAPTABLE, AND INTEGRATED.
BUILT TO FLEX AND LAST.
Ā
š Ā RESONANCE
THE ARTEFACT TRANSCENDS ITSELF. FULLY REALIZED, SELF-SUSTAINING, AND REFLECTIVE OF CS PRINCIPLES.